Eira Lynn Jones Professor of Harp RNCM – 1992-2021

HAPPINESS IS A JOURNEY NOT A DESTINATION.

For a long time it seemed to me that life was about to begin – real life but there was always some obstacle in the way, something to be gotten through first, some unfinished business, time still to be served, a debt to be paid. At last it dawned on me that these obstacles were my life. This perspective has helped me to see there is no way to happiness. Happiness is the way. So treasure every moment you have and remember that time waits for no one.

Souza

Eira has played a significant role in my musical and personal journey since we first met when she became professor of harp at the RNCM in 1992. I was in my 3rd year when she arrived fresh from her studies in the USA. She made such a strong impression on me with her crystal clear imaginative ideas on the shape she wanted the harp department to take. She was artistic director of two International Harpweeks which took place while I was a student. Both events were exceptional and exciting. It was a big deal to have the spotlight on the harp and that it was happening up North. I was studying with Frank Sternefeld at the time and I learnt so much from Eira. She initiated the RNCM harp ensemble and our smaller quartet, Fir Chlis with Mary Ann Kennedy, Manon Llwyd and Kathryn Rees. We had some amazing adventures and we went on tour in Wales – we were even on Welsh TV!

Fast forward some 14 years – I reconnected with Eira during a difficult time in my life and I asked to go and play for her. Off I went with my harp to her studio in Stockport for a consultation lesson. After an extremely encouraging but realistic lesson, she suggested I come to the RNCM to complete a masters degree. I said yes. She thought I was kidding. Thanks to her support, I enrolled at the RNCM as a mature student in 2007 and I was able to dedicate all my energy to the harp and music after a rocky period during which I came close to giving it all up.

FAITH

When you walk to the edge of all the light you have And take that first step into the darkness of the unknown You must believe that one of two things will happen:

There will be something solid for you to stand upon, Or, you will be taught how to fly.

Patrick Overton 1975

I looked forward to my weekly lessons with eager anticipation. Being held accountable was priceless. I was highly motivated and I dedicated countless hours to improving myself as a musician and harpist. We listened and talked a lot and Eira inspired me with her artistic ideas and her faith in my skill as a musician. I studied reams of repertoire and had some exquisite experiences playing solo works and chamber music as well as preparing orchestral parts. Harp class was a very steep learning curve about constructive feedback. Some tough hands were dealt around discipline, and my musical ideas were challenged persistently which led to my growth. She encouraged me to be myself and to express myself with my harp but always at the service of the music.

Eira cares for each of her students – she is empathic and compassionate whilst maintaining a healthy sense of detachment. She was there to congratulate us when we achieved the desired result and to console us when we didn’t. She continues to mentor students beyond the RNCM years and even though we don’t talk as often these days, when we do we pick up as though we’d spoken yesterday.

Happy faces – surrounded by some of my harp colleagues

I enjoyed a vast array of extremely enriching orchestral opportunities at college. Orchestral playing was my true love and Manchester was the perfect base to reinforce that passion. A year long course became 2 years when I realised I wasn’t ready to perform a final recital yet. I was enjoying life in Manchester again, allowing myself to be steeped in that melting pot of music, culture and the arts. I also relished being surrounded by a sisterhood of harpists half my age – they were so energetic and supportive, and their carefree enthusiasm was contagious!

The collage Eira made for me as a leaving gift. A montage of 30 years of musical memories

I was fortunate to work alongside Eira on several occasions, in particular with the Hallé when they performed works involving multiple harps. Performing operas from Wagner’s Ring Cycle under the baton of Sir Mark Elder were pinch-me moments. They were truly awesome experiences where I could observe and learn, and enjoy complete immersion in music. Eira is a consummate professional with great integrity, and her love and respect for music is immense and steadfast. She shares this with her students with open hearted generosity.

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It was always a delight to work with Eira’s students and working with Helen MacLeod (1980-2018) was no exception. A true professional, and a wonderful harpist and human being.

“Success is how high you bounce when you hit bottom”

George Patton

Student life wasn’t always rosy and chicken sandwiches became an institution. When times became too tough, it was reassuring to know I could contact Eira and soon be on her sofa with a glass of wine and a freshly prepared plate of comforting sandwiches lovingly made by Steve. I swear they were the culinary equivalent of a homely hearty hug. No matter what challenge I was facing, whether it was musical or personal, our dialogues never failed to appease my agitated emotions.

An unforgettable rehearsal of Stravinsky’s Firebird with the Hallé in the presence of the Queen

Eira’s prowess as a teacher is exceptional and she is held in high regard throughout the UK and internationally. Her ability to adapt to each student is a rare gift. Her knowledge of the repertoire seems limitless and her head was, and still is, constantly brimming with new ideas for her latest compositions and creative projects. Her ability to construct cohesive programmes for recitals, exams, auditions and performances is extraordinary, demonstrating her deep understanding of the performer and the works to be studied.

While I tutored at the Early Music Shop, I worked alongside 2 of Eira’s graduates, Louise Thomson and Alice Kirwan, and we invited Eira to act as artistic director for 2 Camac harp weekends which we organised in Saltaire. She tirelessly shared her love and enthusiasm for the harp and it’s no surprise that she’s in high demand as a guest tutor. Experiencing her deliver tuition with such clarity to a large group of absolute beginners was a memorable sight. Most of them had never seen a harp before let alone play one and I’m not sure they even read music! Most impressive of all was that the participants went away with radiant smiles and a sense of achievement, inspired to continue their journey with our fascinating instrument.

Watching Eira teach is a lesson in itself. Stagecraft is another one of her fortés and you’d never guess she was shy!

I can’t write about Eira without mentioning Steve. Steve is her rock. He’s her husband, personal chef, chauffeur, barista, recording engineer, technical support, sommelier, librarian, travelling companion, the list goes on. Steve is a placid, dependable, calm character who balances out Eira’s creative nature. They work so well together. They’re a dream team, a marriage made in heaven, possibly quite literally!

All packed up and raring to go and make music!

Teaching comes with its own challenges. Eira rarely left us high and dry and after class we would often congregate in the refectory to ease out of teacher/student mode while relaxing with a well earned drink. “STEEEEEEEEEVE”!!! we exclaimed joyously upon his arrival. Following this enthusiastic outburst came a chorus of giggles that resounded through the huge space as he approached his giddy welcoming committee cautiously. He arrived to whisk Eira safely to her next destination. Her sense of relief was tangible. Another long teaching day was nearly done. The atmosphere changed as she became more relaxed, safe in the knowledge that it was nearly time to head home to recharge her batteries and enjoy some quiet time.

Have harp, will travel

Eira is blessed with an inexhaustible sense of curiosity and her musical journey has taken her to a myriad of exciting destinations across the world. She has a particular affinity with Greece and all things Greek. She has taught several Greek harpists, many of whom have thriving careers. An accomplished chamber musician, she loves working with her Greek flautist Anna Mari Rosa and Eira has even learnt Greek. Eira has never lost her sense of curiosity and she’s always keen to learn new skills. Filakia Eira!

Emotional

Inspirational

Resilient

Artistic

Soon after my arrival at the RNCM Eira gave me my Happy Box. Inside was a small book of quotations called The Real Meaning of Success and a small tortoise made of stone. Eira is a fervent advocate of slow practice and she often reminded us of Aesop’s Fable about the tortoise and the hare – the tortoise always wins in the end. I filled my Happy Box during my 2 years at the RNCM and many of those happy memories involve Eira. She gives so generously to her students, inspiring us to be the best version of ourselves as musicians and human beings.

Eira always encouraged me to embrace the journey. I’m so excited to find out what Eira does next on her journey.

Eira – thank you so much for all you have taught me and shared with me over the years. From the Heart – Rhian

Risk

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